{"id":390454,"date":"2026-04-10T00:45:22","date_gmt":"2026-04-10T03:45:22","guid":{"rendered":"https:\/\/www.notibras.com\/site\/?p=390454"},"modified":"2026-04-08T23:46:14","modified_gmt":"2026-04-09T02:46:14","slug":"sem-pontuacao","status":"publish","type":"post","link":"https:\/\/www.notibras.com\/site\/sem-pontuacao\/","title":{"rendered":"Sem pontua\u00e7\u00e3o"},"content":{"rendered":"<p>&#8220;Na verdade tudo \u00e9 m\u00fasica e respira\u00e7\u00e3o e pausas.<br \/>\nH\u00e1 apenas dois falsos sinais: o ponto e o ponto e v\u00edrgula&#8221;<br \/>\n* (Jos\u00e9 SARAMAGO, escritor portug\u00fbes Nobel de Literatura)<\/p>\n<p>Diante da infinita obra (sem &#8220;borraduras&#8221; de pontua\u00e7\u00f5es que nada valem), h\u00e1 anos desenvolvi h\u00e1bito \u2013 e atrevimento \u2013 de pensar e tentar escrever perseguindo a forma do grande Z\u00e9. Texto corrido direto sem pontua\u00e7\u00e3o.<\/p>\n<p>Tente a\u00ed voc\u00ea tamb\u00e9m: Copie o texto de minha aytoria e PONTUE de jeito que quiser, mas observe bem as pausas, os vazios, as entrelinhas e sobretudo a musicalidade dos trechos e da &#8220;\u00f3pera-texto&#8221; no todo.<\/p>\n<p>Depois me envie um e-mail com o resultado &lt;gilbertomotta087@gmail.com&gt;.<\/p>\n<p>VIAGEM A PORTU\u00cdNAS<br \/>\n(Gilberto Motta)<\/p>\n<p>[&#8230;] vestir de novo a velha roupa que impensados gestos repetidos moldaram costumes e gra\u00e7as desaguados nessa forma p\u00e1lida de ser e entrar nos dias compridos esticados ao poente buscando olhara paleta das cores naquele infinito c\u00e9u quase noite fixando no quintal da mem\u00f3ria a linguagem e os tra\u00e7os dos deuses e ench\u00ea-lo de metaf\u00edsica vibra\u00e7\u00e3o de luz e de la\u00e7os de vultos e velas como as cenas cravadas em velhas fotografias observadas no antigo \u00e1lbum encontrado no s\u00f3t\u00e3o da casa de madeira do pequeno \u00edtio p\u00e9 de serra nas manh\u00e3s de chuva com os oljos cansados e j\u00e1 meio cegos mas outra vez lavados e mais uma vez ressuscitados ao contemplarem a pura branca porcelana do caf\u00e9 servido sobre a mesa da cozinha eterna com a toalha esculpida em croch\u00ea capaz de preencher o vazio que ecoa a misteriosa voz que canta e habita a casa repleta de signos pistas marcas c\u00f3digos e labirintos a serem decifrados embora a ess altura dos fatos nem as fotos me contentem e nunca mais me completem e no entanto formulam c\u00e2nticos lentos chorados reinventados ao longo dos dias lentos nos decorrer dos quais s\u00f3 me resta desejar dizer-te dos pequenos encontros e desencontros e dos gestos \u00edntimos jamais revelados no passar do tempo no correr dos dias trombadas de anos e come\u00e7os e fins at\u00e9 chegar a barca do mestre Creonte e levar a gente hipnotizados para aquela ilha oculta da neblina e seguiremos ouvindo apenas o som m\u00e1gico de uma vez de Sol e dissonantes acorde em D\u00f3 sustenido trinados como que por encanto por tua voz em falsete de bra\u00e7os dados com o solo de um velho cl\u00e1ssico e solit\u00e1rio clarinete [&#8230;]<\/p>\n<p>*PORTU\u00cdNAS \u00e9 uma palavra inventada por minha filha, Sofia, aos quatro na inf\u00e2ncia; criou para dar nome ao pa\u00eds (como o de Alice) que ela inventou e no qual construiu comigo infinitos castelos de arei.<\/p>\n<p>-Veja : &#8220;Saramago: o escritor que brinca com a pontua\u00e7\u00e3o&#8221; <a href=\"https:\/\/www.publico.pt\/2008\/04\/23\/jornal\/saramago-258228\">https:\/\/www.publico.pt\/2008\/04\/23\/jornal\/saramago-258228<\/a><\/p>\n<p><strong>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/strong><\/p>\n<p><strong>Gilberto Motta \u00e9 escritor, jornalista, m\u00fasico, professor\/pesquisador &#8220;de tudo&#8221; (sic!). Segue pela vida achando ter ouvido absoluto e mem\u00f3ria de elefante. Vive na vila pesqueira da Guarda do Emba\u00fa SC.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Na verdade tudo \u00e9 m\u00fasica e respira\u00e7\u00e3o e pausas. 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